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To Sleep with Anger plays by different rules. The film is broken free from both narrative and tonal tendentiousness. Narratively, Burnett frees scenes from making plot-points in which each event can be evaluated based on whether it furthers or delays the accomplishment of the ultimate goal. Rather than tracing a tight narrative trajectory in which each scene poses dramatic questions that lead inexorably to the next scene, Burnett’s narrative is left somewhat anecdotal and episodic–basically consisting of a series of brief glimpses of family life before, during, and after Harry’s stay.